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Salomé Lamas, The Tower, 2015.

Salomé Lamas (Portugal, 1987), The Tower, 2015, 8’.

Maybe Kolja’s experiment of merging his body (human) with the tree (nature) venturing into a border zone between the earth and the sky is due to his purity of spirit, to the grandeur of the idiots, or the foolishness of the mystics; or is it all this together? Maybe it is a symptom of the enlightened, or simply an elaborated suicide.

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